My work originates from the intersection between material and image.

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I do not construct the figure as a separate element, but search for it within the painted surface, allowing it to emerge and simultaneously dissolve.

Painting becomes an unstable field where nothing is fully fixed: forms appear, disappear, and re-emerge.

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My research focuses on a fragile balance between the visible and the invisible, between presence and transformation. Images are never fully declared, but exist in a constant state of transition.

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My background in scenography strongly informs my practice. I work with materials, textures, and layered processes, treating the surface as a living space rather than a passive support.

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I use oxides, metallic powders, and non-conventional binders, allowing time to become part of the painting process. Changes, alterations, and material transformations are not flaws, but integral elements of the work.

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The figure is never isolated; it belongs to the matter from which it emerges and to which it inevitably returns.

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My work does not aim to represent, but to evoke. It does not describe, but allows something to appear.